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GHOST COSTUME FULL
“When you see a good contemporary film I’m always full of admiration.
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They then also talked about how it is harder to design contemporary costumes when compared to period-piece attire which makes you rethink films set in the modern day. Wonderfully collaborative in that sense once you gave her the costume she went ‘yeah I can do this’ You’ve made the dress work and she was always up for that. When she went on the dance floor and did what she did with it I just thought ‘you’re my dream’. And to do that dress is not as easy as you think. I did not want to have too little, but not too much. I was very worried about how much Chiffon I would need to do. Zee then interviewed Odile Dicks-Mireaux, the costume designer of the film, who added: Every little tuck and detail that is done around this neckline is what gave it it’s movement and the movement is what became that character. If you look at it there are tiny pin tucks around the neck, the silver beading detail, even the tiny bow all true to the era. It looks so simple, but it is incredibly well designed. “The very first time we see Anya Taylor-Joy cascade down the stairs she is wearing this wisp of a dress that is beautiful and coral and chiffon that flowed behind her almost like a dream.” That moment is one of the highlights of the film and Taylor-Joy in that moment transports you into the past through her effortless demeanor/timeless look. This leads Zee to talk about the main outfit of the film worn by Taylor-Joy, the peach dress. Inspired by a lot of the 60s designers like Paco Rabanne and Pierre Cardin, but also incredibly modern in the way that many kids would be able to wear it today.” The white, the patent leather, the structure. “Everything about this is emblematic of today and of the 60s. Then Zee discusses the white “Mac” trench coat worn by both Taylor-Joy and McKenzie.
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That really showed the contrast of the two eras and also the two characters. This is a costume because a costume tells a story and the first time we see Eloise walking in London in the 60s she’s wearing this hoodie, but someone at the ball slides it off her shoulders like it was a feathered cape. I’m going to highlight this and I know you are all looking at me saying ‘Joe that’s not a costume, that’s a hoodie’. Zee first starts off simple with the gray sweatshirt jacket that Thomasin McKenzie’s Eloise wears the first night she travels back to the past. The video then highlights some of the most iconic costumes of the film. RELATED: ‘Last Night in Soho’ Co-Writer Krysty Wilson-Cairns Talks About the Film’s Twist Ending: “I’ve Never Seen a Villain Like That Before” It helps you believe, it helps you leave the outside world behind. As an actor it is all in your head until you put on your costume. I’m wearing this insane pink dress which is quite amazing as it's made of flowing Chiffon, but it was beautiful and made me feel classy. One of my favorite memories of Last Night in Soho was Matt, Thomasin, and I all doing the dance sequence. The featurette hosted by fashion expert Joe Zee starts off with actress Anya Taylor-Joy who plays Sandie in the film reflecting on her experience saying: To celebrate, Focus Features released a video on their YouTube channel to show off the insane amount of effort that went into each costume. The movie, which was an extremely fun and frightening time-traveling ghost story about the dangers of glorifying nostalgia just hit digital on Friday, and arguably one of the film’s strongest aspects is its endlessly stylish aesthetic. One of the films that has captured the hearts of moviegoers is Edgar Wright’s new horror venture Last Night in Soho.
GHOST COSTUME MOVIE
October and November have arguably been the busiest months for movie theaters since the start of the pandemic.